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“Jesus, we’re supposed to be here to help these people!”
A student’s view: Marlene Wagner (University of Vienna) considers De Palma’s ‘Casualties of War’ as a story without heroes or winners.
Production Diary: The poached black rhino in HORN (Part Two)
Reina-Marie Loader recounts her experience of visiting a crime scene of a poached black rhino in South Africa.
Why purpose-driven businesses are our future
Is it possible to trade, create and live in a way that honestly considers the rights of others? Purpose-driven business may just show us how.
Human Rights: Thoughts on their Authority and Limits
How can one define human rights and do they carry any value? Kees van der Brom briefly considers this complex set of questions.
The Triangularity of Practice-as-Research (PAR)
Thoughts on the challenges facing a practice-based researcher in film.
‘Cinema of the Dark side: Atrocity and the Ethics of Film Spectatorship’ by Shohini Chaudhuri
A review of Chaudhuri’s exciting contribution to the human rights cinema canon.
Problems with Spielberg’s Saving Private Ryan (1998)
A Student’s View: David Rosenberg (University of Vienna) considers the ethical dimension of depicting war in Steven Spielberg’s ‘Saving Private Ryan’.
Production Diary: The poached black rhino in HORN (Part One)
Reina-Marie Loader recounts her experience of visiting a crime scene of a poached black rhino in South Africa.
The filming of HORN: The human face of the poaching crisis
Reina-Marie Loader talks with Africa Geographic about the social side of rhino poaching
HORN: An interview with Reina-Marie Loader
Naomi Meyer interviews director Reina-Marie Loader about the documentary HORN.
Accessing the Rhino Issue as an Independent Filmmaker
Producing an independent film about rhino poaching presents significant obstacles. Loader reflects on these as she enters the research phase of HORN.
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